Violas may look like big violins, and certainly there are many similarities; some obvious, others less so. However, there is an important difference. Unlike the violin, there is no standard size or, indeed, shape for the viola...

The vast majority of string students will commence the daunting task of tuition on junior sized instruments, then, on reaching adulthood, when finding they need a full sized instrument, discover that some violas may be too large or, occasionally, too small, thus necessitating selection of an instrument that they can accommodate in much the same way as purchasing a new suit. It has to fit well. And it is that which gives the viola its character. Or, to make a blunt comparison: a violin, be it good or bad, cheap or priceless, always sounds like a violin; likewise the cello. But a viola can sound like anything. It has, without a doubt, the greatest breadth of expression of all the stringed family.
Viola music is written using the Alto Clef; a clef which strikes fear into the hearts of other instrumentalists, many conductors - and also recently converted violists. Although, when the going gets really tough (high, that is), they will lapse into the ubiquitous treble clef.

Whereas the violin reached the peak of perfection in the early eighteenth century, the viola continues to evolve. It will never be perfect like the violin, because its tuning and dimensions will never tally. Hence there will never be a standard viola sound. Yet it is this very imperfection that gives the viola its extraordinarily subtle, sonorous, and beguiling character. 

                                                                      Famous Violists
Who else plays the viola? How many names can you put to these faces? Click on the montage to see the answers.

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